Give me a minute. I gotta call my inviolate sister.
You have an involate sister?
Something like that.
Ok?
Hold on.
Hello.
Ring ring.
You! What do you want?!
The better question is: what don't I already have!?
I don't know! You idiot!
Yes. “Me” “idiot”
lol what is that dude getting at anyway?
I really don't know .
{Enter The Multiverse}
Hey.
…hey.
Do you have Syphilis?
What! No! Why?
Do you have syphilis?
I might.
So why would you ask me?
I just know we sleep with a lot of the same girls and everything.
Since when?
I told you before, I don't mind having leftovers.
Gross stop! You've been taking all my sloppy seconds?
Leftovers. It just—sounds classier.
Well not if you have syphilis!
Lil bitz
I just found out you can say “Deepthroat” on TV
Also, I just learned the word “tube steak”
I was looking vegan cupcakes on Amazon
Cause I'm fantastic
And what comes up in the search next to my cupcakes
Blows my mind
I found these lollipops…
For cats.
And I thought
“People are crazy”
It's just something I would never do.
I was like
“Why would I get him a lollipop?”
“I don't even like him.”
Copyright © The Complex Collective 2025
The Festival Project, Inc. ™
All rights reserved.
Chroma111.
Copyright © The Complex Collective 2025.
[The Festival Project, Inc. ™]
All rights reserved.
UNAUTHORIZED REPRODUCTION OR
DISTRIBUTION IS STRICTLY PROHIBITED BY LAW.
INFRIGMENT IS PUNSHABLE BY FEDERAL LAW
LEGAL NOTICE / ARTIST STATEMENT Project: The Festival Project ™ (Season 12) Genre: Speculative Auto-Ethnography / Social Surrealism
Disclaimer: This document is a work of creative non-fiction and political satire. While inspired by the author's lived experiences with systemic oppression, housing displacement, and surveillance, the narrative employs stylized fragmentation, stream-of-consciousness, and metaphor to dramatize the psychological impact of these events.
The "characters" and "dialogue" herein are artistic devices used to critique historical and modern power structures. This text should be viewed as a performative artistic expression protected under the First Amendment, and not as a literal transcript of clinical psychosis or a formal sworn affidavit.
This is a character study of 'Chroma111,' the collective artworks of a musician living in a dystopian surveillance state.
The erratic language is a stylistic choice to represent the character's psychological deterioration under systemic oppression.
All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental.